Paintings on glass

Cloud to half-height, 2015; glassine paper, glasses and lamp , variable dimensions. Parcial view from the exhibition ‘Jaguares’ at Paço Imperial,  Rio de Janeiro. Photographic record: Mario Grisolli.

Rabiscada, 2018; painted wood andglasses , variable dimensions. Parcial view from the exhibition ‘Brute Fluxe’ at Museum of Modern Art Rio de Janeiro (MAM/RJ). Curatorship Beate Reifenscheid, director of Ludwig Museum de Koblenz, Germany. Photographic record: Mario Grisolli.

Angelas, 2018; glasses and marble, variable dimensions. Parcial view from the exhibition ‘Brute Fluxe’ at Museum of Modern Art Rio de Janeiro (MAM/RJ). Curatorship Beate Reifenscheid, director of Ludwig Museum de Koblenz, Germany. Photographic record: Mario Grisolli.

Com licença, Dona Lina (Excuse me, Mrs. Lina)
Com licença, Dona Lina (Excuse me, Mrs. Lina), 2016. Glass, steel oxidation over glass, mirror and steel cables; variable dimensions. Collection of Instituto Lina Bo e PM Bardi (Casa de Vidro), SP. View of the exhibition “Intervalo das coisas” (Interval of things), at Instituto Lina Bo e PM Bardi (Casa de Vidro), São Paulo, 2016. Photografic record: Everton Ballardin

 

 

Pintura elétrica (Electric painting)
Pintura elétrica (Electric painting), 2016. Intervention on the frontage of the building of Instituto Lina Bo e PM Bardi (Casa de Vidro). Glass, lamps and steel cables; variable dimensions. Collection of Instituto Lina Bo e PM Bardi (Casa de Vidro), SP. View of the exhibition “Intervalo das coisas” (Interval of things), at Instituto Lina Bo e PM Bardi (Casa de Vidro), São Paulo, 2016. Photografic record: Everton Ballardin

 

 

Nos intervalos entre as coisas importantes, nos minutos à toa
Nos intervalos entre as coisas importantes, nos minutos à toa (In between the important things, in the lazy minutes), 2015. Wood, acrylic paint, glass, steel cables and aluminium; variable dimensions. Artist’s collection. View of the exhibition “Jaguares”, at Paço Imperial, Rio de Janeiro, 2015. Photografic record: Mário Grisolli

 

 


Nuvem para meia altura (Cloud to half-height), 2012-2015; Light bulbs, glass, glassine paper and steel cables; variable dimensions. Artist’s collection. Partial view of the exhibition “Squares and Patterns”, at Ludwig Museum, Koblenz – Germany, 2015. Photographic record: José Bechara.

 

 


Fugitive I  &  Fugitive II, 2013; Wood, acrylic paint, glass and steel cables; variable dimensions. Artist’s collection. Partial view of the exhibition “Repertório para aproximação de suspensos” (Repertoire for approaching suspended works) at Instituto Tomie Ohtake, São Paulo – SP, Brazil, 2013. Photographic record: Rômulo Fialdini.

 

 


Fugitiva I, 2013  (detail); Wood, acrylic paint, glass and steel cables; variable dimensions. Artist’s collection. Partial view of the exhibition “Repertório para aproximação de suspensos” (Repertoire for approaching suspended works) at Instituto Tomie Ohtake, São Paulo – SP, Brazil, 2013. Photographic record: Rômulo Fialdini.

 

 


Pink Gelosia, 2010 (from the Gelosia series). Carbon steel oxidation on glass and acrylic; variable dimensions. Artist’s collection. Partial view of the exhibition “José Bechara: FENDAS” at Museu de Arte Moderna do Rio de Janeiro (MAM/RJ), Brazil. Curator Luis Camillo Osório.
 Photografic record: Julio Callado